It’s that time of year again! It’s not Christmas I’m taking about, although you’re surely getting inundated with a lot of Christmas stuff. No, I’m talking about in the music world: The Listpocalypse. This is where all of the music outlets drown you in their lists of favorite albums, songs, artists, etc of the year. Now if you’re anything like me, you get tired of reading these after about the 5th list. My biggest issue is that most of them are way too long. Anything over 15-20 albums is just ridiculous and quite frankly I’m skeptical if you’re actually listening to the music. People read these lists to catch up and catch anything they might have missed out on throughout the year. They don’t need bogged down with these long lists. Instead they should just be suggested the very best. A nice and short, compact list is much more effective. This gives you the reader a chance to get through quickly and start listening.
So that’s why I’ve decided I’m only giving you the five must-listen Fusion Country albums of 2018 to listen to if you haven’t done so yet. And there won’t be a best songs list, as you can find all of Fusion Country’s favorite songs in our 2018 playlist. But I’ll include at the bottom of this post too. Thanks for reading Fusion Country in 2018 and I wish you all a safe and happy holidays!
Golden Hour is an excellent journey through the ups and downs of the spectrum of human emotions. Happiness, sadness, love, confusion, fun, loneliness, togetherness, cockiness, hope and more are all on display. To be human is to feel and this album makes you feel so many things. This a defining moment for Kacey Musgraves, as a songwriter and an artist. Not only showcasing her top-level songwriting, but fearlessly taking the kind of risks that so many artists are outright scared or incapable of taking with their music. Most music released today sounds timid and lacks creativity. This album is full of confidence and charges ahead without letting the unwritten rules of music hold it back. When you cast away life’s preconceptions, you’re truly free as Kacey Musgraves demonstrates with Golden Hour.
Desperate Man is a fantastic album. Church’s songwriting has never been better and the production choices made by him and Jay Joyce blow me away. Just like Kacey Musgraves with Golden Hour, Eric Church shows us just how innovative and exciting country music can be when you throw out the “rules” and just create your sound. It’s not about giving people what they want, but giving them what they didn’t know they needed until they heard it. Eric Church did it his way on Desperate Man and his way is excellent.
Caitlyn Smith’s Starfire is fantastic in every way. The songwriting is sharp, smart and relatable to the everyday listener. The production is smooth, flawless and really helps bring the words of the songs to life. Smith without a doubt has one of the best voices you’ll hear in music today. You’re doing yourself a disservice if you haven’t listened to this album. It’s one of the best you’ll hear in all of 2018.
The Wild Feathers impress me with their brand of country rock on Greetings From The Neon Frontier. This band has a tight, cohesive sound that borrows from the late 70s era of country rock while also sounding fresh and modern-day. What this band absolutely excels at is their ability to paint a picture in your head with their music. Their lyrics are descriptive, engaging and cleverly composed while the instrumentation compliments the words well and add to the scene of the song. Their other strength is their soaring harmonies, which they shouldn’t be afraid to let shine more. Greetings From The Neon Frontier is a memorably fun album of country-flavored rock and roll that can be enjoyed both quietly and at full volume.
Songs For The Saints will go down as one of Kenny Chesney’s best albums at the end of his career. On this album he casts away the lazy tropes and paper-thin depth that has plagued his career at times and delivers an album full of songs about love, happiness and finding peace after destruction. This album’s biggest strength is its songwriting, as it’s rooted in a place of reality of real people and places, highlighting the ups and downs of life. The production of this album is pretty good too, as it’s varied and does a wonderful job of weaving reggae, island and pop influences throughout. Kenny Chesney should be quite proud of this album, as he delivers a real gem in Songs For The Saints.