Album Review – Eric Church’s ‘Desperate Man’

Eric Church has always did it his way. It’s a cliché thing to say in the music industry. So many artists love to say it in press releases and interviews. But very few are being genuine. It’s just another marketing phrase. When it comes to Church, he’s one of the few being sincere. Not only has he done it his way, but his sound has evolved and changed with his life along the way. Each album shows more growth in his music and artistry. On Mr. Misunderstood, I thought Church delivered his best album yet. I didn’t think he could top himself on Desperate Man, but he does. Church delivers more on Desperate Man than I could have imagined.

Church delivers a real statement with opening song “The Snake.” It’s a stripped-down, appropriately sinister sounding song about a Copperhead and a rattlesnake. I’m not sure how others interpret it, but for me it’s a scathing commentary on American politics regarding the two major political parties. It tells of how each work together to continue eating the mice (who represent the people) and keep their power, each out for themselves and not the people they represent. “And the whole world’s burning down,” as Church wisely sings.

Church then does a complete 180 with the fun and upbeat “Hangin’ Around.” It’s probably the most danceable song Church has ever released, as it’s impossible to not want to move your head and feet along with the beat. The bass, drums, clapping and electric guitars chug along in unison, creating an infectiously funky sound. “Heart Like A Wheel” is a slice of bluesy country goodness that puts the guitars front and center. It’s about a love that can’t be stopped and keeps rolling on. Church delivers the lyrics with a real passion that make them really resonate over the listener.

“Some Of It” is the perfect marriage of Church’s past and present styles. The lyrics of the song are classic Church, with his deftly simple message about finding wisdom in life. It pairs up well with the new rich, heavily textured sound of Church. To me it’s a no-brainer, future single. The next song “Monsters” sounds like a single too. For many I imagine this is the center-piece of the album and I don’t blame them. The song’s writers Church and Jeff Hyde cleverly weave together a story of the monsters in life. When you’re a kid, they’re under the bed and you kill them with a flashlight. When you’re an adult, you realize they’re all around you and even in your head. In the case of Church, you pray them away. Whether you’re young or old, we all have our demons and we all have our way of dealing with them. You know you’re hearing a special song when we can all relate to it, as it unites us through its message.

Church fondly looks back on his upbringing and life on “Hippie Radio.” Specifically it was the sounds of rock radio that were always there through many milestones, marking each moment in his mind. It’s a song that celebrates the meaning of music and the influence it has on us. It’s a great song that’s probably the least memorable on the album, but that’s a testament to the sheer amount of quality throughout this record. “Higher Wire” shows a completely different side to Church. It’s a bare, soulful tune that Church sings almost entirely in falsetto. Like many I didn’t know what to think of it at first. It reminds me a lot of when I first heard “Like a Wrecking Ball,” which I originally didn’t like. But just like that song, “Higher Wire” grows stronger on you with each listen. My main takeaway: It’s so much damn fun to sing along to the chorus!

I covered the album’s title track when it first released and I still stand by what I said. It’s a great song and it’s appropriate it’s the title track because it perfectly captures the spirit and sound you hear throughout the album. “Solid” immediately gives you a ’70s vibe thanks to the undeniable presence of the electric guitars. Not a surprise, considering Church has cited many influences from the era. Church sings about the many things in his life that keeps him grounded and allows him to have a solid foundation in life. By the end he takes it back to where he grew up and the upbringing by his parents, the appealing emotional closer that ties it all together.

The shimmery feeling “Jukebox And A Bar” sees Church once again fuse his classic lyrical style with his new production style. The theme is a staple of country music, but it’s Church’s lyrical approach that makes this song so good. I particularly enjoy the line, “We got pinpoint GPS, all you need is an address/But her love is the one thing I can’t find.” I enjoy it because despite all of the technology we have and all of the problems it can solve, ironically it still can’t heal a broken heart like the camaraderie of a bar. Plus the use of words like “phosphorescent” and “incandescent” have never been used better in a country song.

The album closes out with “Drowning Man,” taking the album back to where it began with the headache of politics. Church is the voice of many, as he doesn’t want to think about the problems of the world and would rather drown in whiskey. He doesn’t want to hear about your “beach” or “mountains” either, which can be interpreted as the endless chatter from each side on social media. The drowning is a sea of words. “Save your breath, I don’t want to hear about it” are the final words from Church, as he carefully expresses the exasperation of many.

Desperate Man is a fantastic album. Church’s songwriting has never been better and the production choices made by him and Jay Joyce blow me away. Just like Kacey Musgraves with Golden Hour, Eric Church shows us just how innovative and exciting country music can be when you throw out the “rules” and just create your sound. It’s not about giving people what they want, but giving them what they didn’t know they needed until they heard it. Eric Church did it his way on Desperate Man and his way is excellent.

Grade: 10/10

Album’s Top Highlights: Monsters, The Snake, Hangin’ Around, Heart Like A Wheel, The whole damn thing, listen to it all


Producers: Jay Joyce & Arturo Buenahora Jr. 

Songwriters: Eric Church, Travis Meadows, Jeremy Spillman, Jeff Hyde, Clint Daniels, Bobby Pinson, Scooter Carusoe, Casey Beathard, Ray Wylie Hubbard, Anders Osborne

Classic Review – Eric Church’s ‘Mr. Misunderstood’

On the night of the 2015 CMA Awards everybody expected the biggest news of the night to be Eric Church dropping his surprise new album Mr. Misunderstood. After all he’s one of the biggest artists in country music and it was one of the better-kept secret album releases in recent memory. But then of course Chris Stapleton had his superstar making performance and the rest is history. I will always be thrilled about that performance by Stapleton, but at the same time I will always be a little disappointed that Mr. Misunderstood didn’t get the recognition it truly deserved. To this point it’s arguably the best album from Church that spawned multiple hits and one of the most memorable albums from this era of largely forgettable music.

The album’s title track and lead single kicks this album off. It’s an appropriate opener, as it essentially lays out what this album is all about and that’s Eric Church and his love of music. Church sings about how he grew up as “Mr. Misunderstood,” the kid in the back of the class who didn’t fit in with his friends who “got their rocks off” on top 40 radio. Instead he was the kid who listened to his dad’s vinyl and the likes of Elvis Costello, Ray Wylie Hubbard and Jeff Tweedy (a really cool shout out to three talented artists who have clearly influenced him). It’s an acoustic driven track influenced by southern and heartland rock. There were many things I found relatable about this song and I think many other listeners feel the same when they hear it.

The gospel-influenced “Mistress Named Music” follows. Just like “Mr. Misunderstood,” Church sings of his love of music and how it’s been a part of his life ever since he was a kid listening to the organ player in church. The instrumentation on this song is really well done, perfectly meshing country, rock and gospel to create a compelling and interesting listen. The upbeat and acoustic-driven “Chattanooga Lucy” is the closet thing to a party song on this album, although I wouldn’t classify it as such. It is a very fun song to listen to and move your feet along with. There’s not a lot of depth on this song, but that’s not a problem considering most of this album has a lot of depth and takes on a more serious tone. So this is a nice breakup. It also appears to be a bit of a precursor to his follow-up album Desperate Man.

“Mixed Drinks About Feelings” is a heartbreak song penned solely by Church himself. The man in the song is trying to drink his sorrows away after his woman left him and it’s not helping that much. Church duets on the song with blues artist Susan Tedeschi and their voices go together greatly. Their voices and instrumentation create the perfect mood in the song. There are many great songs throughout this album. But one of the standouts amongst them is “Knives of New Orleans.” The song is about a criminal on the run trying to escape his sins and looking for his getaway key. He wrote the song with the brilliant Travis Meadows and Jeremy Spillman. It’s a true songwriting gem that exemplifies storytelling at it’s best.

One of the more under-looked songs on the album, “Round Here Buzz,” is next. It’s about a man sitting on the hood of his car drinking, as he thinks about the girl who just left him. He’s perfectly content to just sit there and take in everything around him, as his heart heals. Living in a small town is part of the theme of this song too and unlike in The Outsiders, Church avoids being cheesy or unimaginative and instead does a great job describing it in an authentic way.

One of my personal favorites on Mr. Misunderstood is “Kill A Word.” It’s about getting rid of negative words and really negativity in general, as Church says words are something that can’t be unheard or unsaid. The songwriting is really sharp, clever and catchy, while also avoiding the pitfall of overly pandering (hello “We Shall Be Free”). But really what takes this song to another level for me is the vocal performances delivered by Church and guest performers Andrea Davidson and singer-songwriter Rhiannon Giddens. I have an immense amount of respect for Church including her on such a powerful song and releasing it as a single, even if it unsurprisingly didn’t get embraced by radio.

“Holdin’ My Own” is Church’s ode to his family. Another one penned solely by himself, Church is proud of how he’s been able to survive the early years of his life and how’s he now able to hold his arms around his wife and two boys and do what he loves for a living. You can tell how close and sentimental this song is to Church and his heart shows more on this song than any other on the album.

While I love this entire album, the best song on Mr. Misunderstood is “Record Year.” It’s one of the best songs he’s ever released (which Church co-wrote with fellow fusion country artist Jeff Hyde). “Record Year” is about a man who has just broken up with his girlfriend and turns to his vinyl collection to heal his heart. While he plays these records he slowly heals and not only gets over his heartbreak, but also rediscovers himself and some great music along the way. More than anything it’s a song about finding your way in life when things are at your darkest. When I first wrote about this album, I said this had to be a single and it could be one of his biggest hits. I’m glad to be right, as this song went on to be a big #1 hit for Church.

Mr. Misunderstood comes to a close with “Three Year Old.” Church is once again inspired by his family, particularly his three-year-old son Boone, on this song. He sings about all of the lessons he has learned from him and how it puts into context how simple life is through the eyes of a child. It should also be mentioned his son nicknamed the guitar that Church wrote this album with, “Butter Bean.” So it goes back to where this album all began. This album started off with Church relating back to his younger days and ends with him as an adult watching his own child grow up before his very eyes.

Mr. Misunderstood is a timeless work of music that will be remembered fondly by fans for years to come for its amazing quality and ability to break through the molasses of cookie-cutter music that cluttered mainstream country music. This is all thanks to the growth and maturity shown by Church on this album, a milestone moment in a career that looks to last for several years to come. It’s easy to dub this album a Fusion Country Classic.

Album’s Top Highlights: Record Year, Knives of New Orleans, Kill A Word, Mr. Misunderstood, Mistress Named Music, Chattanooga Lucy


Producer: Jay Joyce

Songwriters: Eric Church, Casey Beathard, Jeff Hyde, Ryan Tyndell, Travis Meadows, Jeremy Spillman, Luke Dick, Monty Criswell

Fusion Country’s Favorite Albums & Songs of 2018 So Far

We’ve reached the mid-point of the year, which means it’s time you read yet another mid-year music list. Isn’t it exciting? Look if you keep up with this blog, I don’t blame you for skipping out on this. These lists get tiring after you’ve read like 50 of them. But if you’re up for another list, just found Fusion Country, or need a refresher read on. Here are Fusion Country’s favorite albums and songs of 2018 so far…

(click on the album’s titles for the full review)

Kacey Musgraves – Golden Hour

Golden Hour is an excellent journey through the ups and downs of the spectrum of human emotions. Happiness, sadness, love, confusion, fun, loneliness, togetherness, cockiness, hope and more are all on display. To be human is to feel and this album makes you feel so many things. This a defining moment for Kacey Musgraves, as a songwriter and an artist. Not only showcasing her top-level songwriting, but fearlessly taking the kind of risks that so many artists are outright scared or incapable of taking with their music. Most music released today sounds timid and lacks creativity. This album is full of confidence and charges ahead without letting the unwritten rules of music hold it back. When you cast away life’s preconceptions, you’re truly free as Kacey Musgraves demonstrates with Golden Hour.

Jeff Hyde – Norman Rockwell World

Norman Rockwell World is a promising debut album from Jeff Hyde. It demonstrates that he’s an artist that is willing to get creative and adapt in a music world where many are afraid to change. But it’s this embracing of modern flourishes that will put him on many radars, while earning respect for his ability to keep the soul of country in his songs. Norman Rockwell World manages to feel both familiar and strikingly different, ensuring you won’t forget it in a world of forgettable music.

Blackberry Smoke – Find a Light

Find a Light is an album that lives up to its name, centering around finding balance and calm in a world filled with chaos and anger. Perhaps this explains what I felt like was a lighter approach production-wise to the songs in comparison to their previous two albums. This is probably the quietest album from Blackberry Smoke, a band who I think shines brightest at their hardest sounding. But despite a lighter sound, there’s still plenty of rollicking, gritty loud guitars throughout that entertain and impress. Led by the underrated songwriting of Starr, the songwriting is pretty rock solid throughout as always. There’s plenty of catchy hooks and a fair share of songs with some real meat behind the messages. Blackberry Smoke had a tough task following up the fantastic Like An Arrow, but they ultimately come through with a pretty damn good follow-up in Find a Light.

Caitlyn Smith – Starfire 

Caitlyn Smith’s Starfire is fantastic in every way. The songwriting is sharp, smart and relatable to the everyday listener. The production is smooth, flawless and really helps bring the words of the songs to life. Smith without a doubt has one of the best voices you’ll hear in music today. You’re doing yourself a disservice if you haven’t listened to this album. It’s one of the best you’ll hear in all of 2018. **

**Editor’s Note: I wrote this review at Farce The Music, who was gracious enough to give me a platform for my voice while I didn’t have a blog and before I ultimately decided to start Fusion Country. This album very much falls under the fusion country label and I would be remiss not to include. Be sure to click on the album title to read the full review. 


Be sure to check out Fusion Country’s favorite songs and singles of 2018 so far in our regularly updated playlist by clicking here. You can also check out our classic and essential reviews by clicking here.

Album Review – Jeff Hyde’s ‘Norman Rockwell World’

Sometimes when you listen to an album, you know right away you’re listening to something different. As I’ve said, change is hard to accept. But I think Jeff Hyde has stumbled onto a pretty good change on his debut album Norman Rockwell World. Hyde is no newcomer to country music, as he’s spent the last 12 years in Eric Church’s touring band. In addition he’s helped write songs for multiple top artists in Nashville. Now he’s stepping into the spotlight with Norman Rockwell World, an album that perfectly demonstrates how you can sound both traditional and modern.

The opener “Old Hat” greets you with some swanky licks that show up throughout the song, as Hyde sings of old-fashioned ways in a new world. Despite an ever-changing world, Hyde insists there’s still a lot of people left who like to do things the old way. The hook is particularly good, as it sticks with you immediately. This segues right into “Fiction,” which tackles lies and deception in a world filled with them. Hyde slyly suggests he “can’t write enough fiction, to keep up with the truth.” This feels like something Church would cut on one of his albums by replying to a troubling situation with a witty response. “Baby by Tonight” is without a doubt one of the highlights of the album, as it wins you over with its smooth, So-Cal influences. The song revolves around a man trying to reach his baby by the end of the night and I think Hyde does a great job of conveying the urgency of the lyrics. Not to mention it’s another solid hook.

“Cold” is your classic breakup country song, where the fires all gone in the relationship and both are left feeling cold. I think the production really does it’s job on this song, as the combination of crashing drums and piano help convey the feelings of the lyrics. The drum play shines again on “The Filter,” which is another standout of the album. This is really the song where I feel Hyde is able to meld traditional and modern the best. It’s got a decidedly country feel, but it’s also soaring and infectious. The lyrics are equally great, as the song is about the mix of emotions when someone breaks up with you. There’s leftover love, a new and resentful hate, and a regret over how it all went down. This is one of those songs that just gets everything right.

Hyde takes a funky turn with the album on “Cabin Fever.” It’s a sex jam about your baby wanting to spend all day in bed. I have to say it’s refreshing to hear a country song tackle sex, as nowadays most artists seem too scared to touch the subject so bluntly in fear of offending. The album’s title track gets historical, as the subject is about the picturesque worlds depicted in the paintings of Norman Rockwell. During Rockwell’s time he was often derided for his paintings to be too commercial and now they’re heralded as classics (particularly his commentary on race). Ironically now there are people like Hyde who pine to live in a world like in the paintings where families were happy and people lived in harmony, a stark contrast to the feeling in today’s world. In a fair music world, I think this would be a hit.

Hyde continues to satiate the inner history buff in me on “Henry Ford.” In another clever bit of songwriting, this song is about Hyde giving an interview to a media member. He explains to the interviewer that you don’t have to know Henry Ford, to drive one just like you don’t have to know the artist to understand the song. Creations are a part of a creator and will tell you more than you need to know about them. “One Light Town” features more creative production, as drops of a piano and clangs of a drum dot the song throughout. It’s the kind of interesting production you wish you would hear more from pop country. The lyrics do a great job of painting a picture, as love is likened to one light in a city full of hustle and bustle. It’s the love that shines through all of the noise. Appropriately the album ends with “How the Story Ends,” which has a euphoric and echo-y feel. It’s about seeking forgiveness from God when you sin and guidance when fear and doubt get you down. But despite this Hyde knows how it will all go down in the end through faith. It’s a nice moment of calm to put a cap on the album

Norman Rockwell World is a promising debut album from Jeff Hyde. It demonstrates that he’s an artist that is willing to get creative and adapt in a music world where many are afraid to change. But it’s this embracing of modern flourishes that will put him on many radars, while earning respect for his ability to keep the soul of country in his songs. Norman Rockwell World manages to feel both familiar and strikingly different, ensuring you won’t forget it in a world of forgettable music.

Grade: 7/10

Album’s Top Highlights: The Filter, Norman Rockwell World, Baby by Tonight, One Light Town, Henry Ford


Producer: Ryan Tyndell

Songwriters: Jeff Hyde, Ryan Tyndell, Matt Jenkins, Luke Dick, Casey Beathard, Oscar Charles, Jacob Powell, Clint Daniels, Michael Heeney, Jon Randall