The Ultimate Pulse of Country Music (Sept. 8)

Let me introduce you to The Ultimate Pulse of Country Music. This chart takes data from four Billboard country music charts: Digital Song Sales, Album Sales, Airplay and Streaming. I take the numbers from these charts, plug them into my formulas and methodology and it spits out a number I refer to as a Popularity Rating or Pop Rating for short. This determines the order of the top 25 rankings you’ll see below.

What I love about my chart is it’s simple, but fluid and dynamic. It accounts for all types of artists across the board, whether the artist is strong at radio (Chris Lane, Dustin Lynch) or album sales (Chris Stapleton). It allows independent and older artists to enter it too, as three of the four categories are ultimately controlled by you the listeners. Not to mention I feel it’s more inclusive of a variety of styles of country music and women artists. It’s a true real-time indicator of who is popular in country music with built-in natural weights that ensures fairness.

One last thing: I will of course be adding my own personal opinion to the chart with a rating of +1, 0 or -1 based on whether I think the artist’s contributions towards their pop rating are helping, hurting or not having an effect on the genre. Onto the chart!

  1. Florida Georgia Line (#1 Digital Songs & #1 Album) -1
  2. Luke Combs +1
  3. Kane Brown (#1 Streaming) -1
  4. Jason Aldean +1
  5. Dan + Shay +1
  6. Thomas Rhett (#1 Airplay) -1
  7. Brett Young -1
  8. Kenny Chesney +1
  9. Chris Stapleton +1
  10. Luke Bryan 0
  11. Miranda Lambert 0
  12. Cole Swindell +1
  13. Bebe Rexha -1
  14. Old Dominion 0
  15. Mitchell Tenpenny -1
  16. Sam Hunt 0
  17. Eric Church +1
  18. Dylan Scott -1
  19. Russell Dickerson -1
  20. Lauren Alaina 0
  21. Chris Janson +1
  22. Carrie Underwood 0
  23. Dierks Bentley +1
  24. Chris Young -1
  25. Garth Brooks 0

The Ultimate Pulse: 0


Notes & Observations

  • New Arrivals: Chris Young, Garth Brooks
  • Gone: Keith Urban, Morgan Evans
  • The pulse improves three spots this week to 0. So country music has no pulse right now (this feels so appropriate). Keith Urban has steadily fallen down the charts ever since “Coming Home” went recurrent at radio. And Morgan Evans of course is a radio darling, who completely hinges on them to be relevant on this chart.
  • Florida Georgia Line easily remains #1 for a third straight week. I said last week they could be poised for a big week and they deliver an even bigger pop rating than I expected. They absolutely crush the rest of the field and hold a commanding lead thanks to big gains in sales of “Sittin’ Pretty” topping the Billboard Country Digital Song Sales chart. In addition Billboard did decide to count their four song bundle as an EP, so they get even more points in the album category to take the top title from Stapleton. When their album drops I can’t imagine what kind of crooked number they will put up. Once again the country music media looks absolutely stupid for trying to paint this duo as waning in relevancy.
  • Now if you’re fretting over this, there’s good news for you because Luke Combs is going to mount a serious challenge in the coming weeks to take the top spot. He had a great week himself and holds a nice lead in the #2 spot over the rest. He made gains in every category, including the biggest gain in airplay. His streaming and sales are extremely consistent. He’ll close the gap on Florida Georgia Line when their sales return to more normal levels for them and will challenge for #1 once they peak and go recurrent at radio. I think it’s become clear that Combs is one of the new superstars in country music.
  • Kane Brown moves to #3 this week and could be in the conversation for the top spot too if he releases a new song or improves his current digital song sales. His streaming numbers continue to beat everyone, although his label mate Luke Combs is in an almost dead-heat for the top streamer spot (Florida Georgia Line isn’t far behind either).
  • Jason Aldean continues to put up consistent numbers in every category and if his next single blows up, he might be able challenge for the top spot. But he’s more of a long-shot, as he’s currently getting blown out by the top three in streaming.
  • Dan + Shay, Thomas Rhett and Brett Young are all a solid ways behind the top four and have similar numbers to each other. Although it should be said neither the duo or Young have airplay helping them right now, while Rhett does. Expect Rhett to take a slight drop here soon with his airplay peaking this week, while the other two battle over the top five.
  • Kenny Chesney remains in the top ten, but next week should fall into the top 15 as he loses airplay and works his new single up the charts.
  • While Chris Stapleton does lose the top spot in the album category this week, he moves further into the top ten. His consistency continues to pay off. With increasing airplay and digital song sales, look for him to be a mainstay in the top ten for a while.
  • Cole Swindell takes a sharp drop this week, falling from #7 to #12. Unfortunately for him he couldn’t maintain a lot of the big bump he got from his album dropping. But thanks to weak competition on the chart, he will hang in the top 15 easily for the foreseeable future and maybe get back in the top ten when airplay peaks.
  • Last week Old Dominion gained points and lost positions on the chart. This week they lost points and gain positions on the chart. This is weirdly funny.
  • Mitchell Tenpenny jumps into the top 15 this week after jumping into the top 20 last week. He made big gains across all of his categories of strength and continues to gain steadily. It’s pretty much a foregone conclusion he will make the top ten by the end of the year based on his current trajectory.
  • As expected, Eric Church takes a fall this week from #13 to #17. The big gain from “Heart Like a Wheel” was going to be temporary. But the good news it seems country radio likes “Desperate Man,” so he will continue to maintain a presence around the top 15 until his album drops.
  • Both Dylan Scott and Russell Dickerson maintain their presence in The Ultimate Pulse thanks to radio. Scott can’t even get “Hooked” up the digital song sales chart with the $0.69 trick. This is why I don’t get that riled up anymore over the radio darlings: most don’t do shit in other categories, which says a lot. They’re here and gone with the wind.
  • Carrie Underwood had an interesting week, as she takes a sizable drop down the chart. While she got a big bump in digital song sales thanks to pre-orders opening on her new album, she got a big drop in airplay thanks to “Cry Pretty” going recurrent. She will rebound next week with the big sales of her new single “Love Wins.”
  • Dierks Bentley lost a lot in the album sales category this week, but made solid gains in digital song sales and airplay. Also thanks to this tipping of points, his score changes to a +1 this week. For an explanation on this, see my comment in the comments sections from last week.
  • Chris Young makes his Ultimate Pulse debut this week thanks to radio. He continues to disappoint me with his music. Rinse, wash, repeat.
  • Finally, Garth Brooks makes his debut too this week thanks to streamhahahaha. Yeah I couldn’t finish that. Radio helped him make the chart. But since the only way to listen to his singles involves sending a carrier pigeon to aliens on Mars, I view him as having no impact.

Next Five Artists Knocking on the Door of the Top 25

  1. Jon Pardi
  2. Maren Morris
  3. Zac Brown Band
  4. Carly Pearce
  5. Blake Shelton

Be sure to weigh in with your thoughts below and feel free to make predictions for next week’s rankings. Feel free to ask questions if you need any clarification on the methodology and rankings.

The Ultimate Pulse of Country Music (Sept. 1)

Let me introduce you to The Ultimate Pulse of Country Music. This chart takes data from four Billboard country music charts: Digital Song Sales, Album Sales, Airplay and Streaming. I take the numbers from these charts, plug them into my formulas and methodology and it spits out a number I refer to as a Popularity Rating or Pop Rating for short. This determines the order of the top 25 rankings you’ll see below.

What I love about my chart is it’s simple, but fluid and dynamic. It accounts for all types of artists across the board, whether the artist is strong at radio (Chris Lane, Dustin Lynch) or album sales (Chris Stapleton). It allows independent and older artists to enter it too, as three of the four categories are ultimately controlled by you the listeners. Not to mention I feel it’s more inclusive of a variety of styles of country music and women artists. It’s a true real-time indicator of who is popular in country music with built-in natural weights that ensures fairness.

One last thing: I will of course be adding my own personal opinion to the chart with a rating of +1, 0 or -1 based on whether I think the artist’s contributions towards their pop rating are helping, hurting or not effecting the genre. Onto the chart!

  1. Florida Georgia Line (#1 Digital Songs) -1
  2. Luke Combs +1
  3. Jason Aldean (#1 Airplay) +1
  4. Kane Brown (#1 Streaming) -1
  5. Brett Young -1
  6. Thomas Rhett -1
  7. Cole Swindell +1
  8. Dan + Shay +1
  9. Kenny Chesney +1
  10. Chris Stapleton (#1 Album) +1
  11. Miranda Lambert (#1 Airplay) 0
  12. Luke Bryan 0
  13. Eric Church +1
  14. Bebe Rexha -1
  15. Old Dominion 0
  16. Sam Hunt 0
  17. Carrie Underwood 0
  18. Mitchell Tenpenny -1
  19. Dylan Scott -1
  20. Chris Janson +1
  21. Dierks Bentley -1
  22. Russell Dickerson -1
  23. Keith Urban -1
  24. Lauren Alaina 0
  25. Morgan Evans -1

The Ultimate Pulse: -3


Notes & Observations

  • New Arrivals: Chris Janson, Dierks Bentley, Russell Dickerson
  • Gone: Cody Johnson, Chris Lane, Tori Kelly, Morgan Wallen
  • The pulse improves one spot this week to -3, despite no significant difference between the new group of artists to enter the chart and the ones that left. Johnson was expected to leave and the other three were helped significantly by airplay, which they all lost this week. No surprise with these artists.
  • Florida Georgia Line remains atop the chart and actually extend their lead on the rest of the chart, despite a sizable streaming loss this week. Expect them to remain atop next week and extend their lead even more in the next couple weeks, as they just released their new song “Sittin’ Pretty.” It’s selling really well when they’re already #1 in the digital song sales category this week and they could get even more points if their four songs being grouped as an EP count towards album sales.
  • Luke Combs and Jason Aldean both tied for #2 this week, but Combs gets it based on tiebreaker rules (if you missed the explanation for this, see last week’s chart). Combs will eventually hit the #1 spot on the chart, as he continues to put up big sales and streaming numbers. When his airplay starts peaking, he should start seriously challenging for the #1 spot.
  • Aldean with another week of consistent numbers across the board, as he tops airplay for a second straight week.
  • Kane Brown drops to #4, as he takes a sizable loss in digital song sales. But he continues to put up monster streaming numbers and takes the #1 streaming spot from Florida Georgia Line.
  • As expected Cole Swindell makes a big jump into the top ten with the release of his new album. He made great gains across the board and it’ll be interesting to see if “Dad’s Old Number” continues to sell well. It could be a future single. It’ll be interesting to see how his album continues to sell too.
  • Dan + Shay actually tied Swindell, but lost on tiebreaker due to losing airplay this week.
  • Kenny Chesney fell in three out of four categories this week and should lose airplay next week. Expect him to fall more as his team begins to work his new single “Better Boat.”
  • Chris Stapleton makes his debut in the top ten this week, beating Miranda Lambert in tiebreaker rules. With his consistent album and streaming numbers, Stapleton is a top 15 lock. With some help in digital song sales and/or airplay, he can consistently be top ten.
  • Eric Church makes a nice leap up to #13 this week, beating Bebe Rexha on tiebreaker rules. The gain is thanks to “Heart Like a Wheel” selling quite well.
  • Despite gaining in points thanks to airplay, Old Dominion somehow manages to lose positions on the chart this week. Other artists simply had an even better week than the group.
  • Carrie Underwood and Dylan Scott are each slowly climbing the chart thanks to increases in airplay.
  • Mitchell Tenpenny makes consistent gains across the board to jump into the top 20. As I said before, he’s unfortunately not going to way. I think he’s definitely tapped into the bro country crowd who never really tired of that terrible sub-genre.
  • There was a whopping five-way tie for #20 on the chart this week. Newcomers Chris Janson and Dierks Bentley got first crack and Janson beat him on tie breakers thanks to just slightly better digital song sales.
  • Russell Dickerson beat out Keith Urban (who continues to fall) who beats out Lauren Alaina based on tie breakers.
  • Morgan Evans barely hangs onto the final spot on the chart this week and should fall off next week. You live by airplay, you fall by airplay.

Next Five Artists Knocking on the Door of the Top 25

  1. Jon Pardi
  2. Sugarland
  3. Taylor Swift
  4. Chris Young
  5. Maren Morris

Be sure to weigh in with your thoughts below and feel free to make predictions for next week’s rankings. Feel free to ask questions if you need any clarification on the methodology and rankings.

The Ultimate Pulse of Country Music (Aug. 25)

On my previous blog Country Perspective I developed many popular features. I’ve developed a few more on this one. But in terms of popularity, none of them touched The Current Pulse of Mainstream Country Radio. To this day I still have people talk to me about it and write about it. For the most part I really enjoyed doing it until eventually I got completely bored with it (along with the entire idea of Country Perspective). I also found it was not the best indicator of the “pulse” of country music in any way, as I find using terrestrial radio as the sole indicator of the popularity of something in this day and age to be highly laughable.

So while I missed the heydays of doing that feature, I knew I would never do it again based on these two reasons. But I did want to continue breaking down charts and numbers on one of my favorite genres of music because I’m a huge data nerd and this marries two of my passions together. I always wanted to develop what I would call the ultimate chart. A chart that fused data from multiple charts to create the ultimate indicator of popularity and relevance in country music. It was just a thought and vague idea. Until now…

Let me introduce you to The Ultimate Pulse of Country Music. This chart takes data from four Billboard country music charts: Digital Song Sales, Album Sales, Airplay and Streaming. I take the numbers from these charts, plug them into my formulas and methodology and it spits out a number I refer to as a Popularity Rating or Pop Rating for short. This determines the order of the top 25 rankings you’ll see below.

What I love about my chart is it’s simple, but fluid and dynamic. It accounts for all types of artists across the board, whether the artist is strong at radio (Chris Lane, Dustin Lynch) or album sales (Chris Stapleton). It allows independent and older artists to enter it too, as three of the four categories are ultimately controlled by you the listeners. Not to mention I feel it’s more inclusive of a variety of styles of country music and women artists. It’s a true real-time indicator of who is popular in country music with built-in natural weights that ensures fairness.

One last thing: I will of course be adding my own personal opinion to the chart with a rating of +1, 0 or -1 based on whether I think the artist’s contributions towards their pop rating are helping, hurting or not effecting the genre. Onto the chart!

  1. Florida Georgia Line (#1 Streaming) -1
  2. Kane Brown (#1 Digital Songs) -1
  3. Thomas Rhett -1
  4. Luke Combs +1
  5. Jason Aldean (#1 Airplay) +1
  6. Brett Young -1
  7. Dan + Shay +1
  8. Kenny Chesney +1
  9. Luke Bryan 0
  10. Miranda Lambert (#1 Airplay) 0
  11. Chris Stapleton (#1 Album) +1
  12. Bebe Rexha -1
  13. Old Dominion 0
  14. Sam Hunt 0
  15. Cole Swindell +1
  16. Cody Johnson +1
  17. Keith Urban -1
  18. Morgan Evans -1
  19. Eric Church +1
  20. Lauren Alaina 0
  21. Dylan Scott -1
  22. Carrie Underwood 0
  23. Mitchell Tenpenny -1
  24. Morgan Wallen -1
  25. Chris Lane -1
  26. Tori Kelly -1

The Ultimate Pulse: -4


Notes & Observations

  • Florida Georgia Line tops the inaugural Ultimate Pulse Chart, just edging out Kane Brown. I should note that they had a much larger lead on my test run chart I did on the previous week’s data. Their biggest strengths come in digital song sales and streaming, as they put up monster numbers in these categories. They also put up solid numbers in the other two categories. So much for them waning in relevancy and popularity, eh?
  • Brown’s strengths and numbers are similar to Florida Georgia Line, although he’s quite low in airplay at the moment. He’s right there with Florida Georgia Line in streaming too, which is no surprise. These two artists both have a big lead on the rest, as they’re nearly 30 points ahead in pop rating on #3.
  • Thomas Rhett has consistent numbers across the board, although at the moment has a particularly strong number in streaming.
  • Luke Combs is doing great streaming numbers, which is what propelled him into the top five this week. He only trails Florida Georgia Line and Kane Brown in this category and not by much.
  • Rounding out the top five is Jason Aldean, who is putting up a strong streaming number himself. This surprised me, as I remember he struggled in streaming a couple of years ago. The other surprise is he’s currently weak in digital song sales. Airplay gives him a boost as he tops the Billboard chart this week.
  • Brett Young, Dan + Shay and Kenny Chesney are all pretty consistent across each category, although Chesney is a bit down in streaming.
  • Luke Bryan and Miranda Lambert ultimately tied for #9 on the chart, but Bryan gets ranked ahead based on my tiebreaker rules. So I might as well explain this rule right here: I look at number of categories contributing strength in. Both though in this scenario contribute strength in three categories (Bryan shockingly brings 0 in streaming, while Lambert brings 0 in album sales). So I go to the next tiebreaker: Solo vs feature contributions. In this case all of Bryan’s contributions are solo, while all of Lambert’s numbers come from being featured on Jason Aldean’s “Drowns the Whiskey.”
  • And while I’m at it I’ll explain the impact of features on the charts. At first I wanted to give half of the points to a featured artist I gave to a solo artist/act. But I realized this would be messy and ultimately hard to judge. Lambert no doubt drove more sales to “Drowns the Whiskey” with her appearance, as her fan base is quite supportive. At the same time Aldean’s fan base is quite big too. You can’t measure the impact of each. Then you have a song like “Meant to Be” where Florida Georgia Line’s feature is the sole reason it’s categorized as country and the only reason Bebe Rexha makes an appearance on this chart. There are other features that aren’t as significant like Lauren Alaina further down the chart. See how it’s complicated? This approach could be adjusted at a later date, but for now it’s the approach I will use.
  • Chris Stapleton unsurprisingly is really strong in album sales and will probably hold the #1 spot in this category a lot. “Tennessee Whiskey” gives him a great streaming number too. It’s a shame I couldn’t incorporate concert sales into this chart (trust me this data is hard and the best source for it is behind a massive pay wall), as Stapleton would be a great beneficiary of it.
  • Sam Hunt’s Montevallo and his massive hit “Body Like a Backroad” are what put him on the chart, despite his most recent single unfortunately flopping.
  • Cole Swindell only sits at #15 this week, but should take a big step-up in next week’s chart with his new album dropping this past Friday. I expect strong gains across all categories.
  • Cody Johnson making an appearance on this chart proved to me that my methodology works. Here’s an independent artist who’s done really solid album sales and has a strong fan base, whose debut single for Warner did massive sales and impact would not be shown if you just looked at airplay. Johnson actually sat #1 on all of iTunes for a day or so, which is incredible. He will probably drop off next week, as his sales have dropped off a ton. It shows though my chart not only shows long-term impact, but short-term impact too.
  • Keith Urban had a big fall off this week from my test chart. He’s almost solely on the chart based on album points.
  • Morgan Evans and Dylan Scott are only on the chart because of country radio. Act surprised. You probably can’t.
  • Eric Church should continue to rise on the lead-up to his new album. Let’s hope!
  • You would expect Carrie Underwood to be higher, but “Cry Pretty” isn’t streaming or selling well. Like Church she should rise with the lead-up to her new album.
  • Alright now I can get to why the top 25 chart has 26 rankings. That’s because there was a four-way tie for the #23 spot on the rankings between Morgan Wallen, Chris Lane, Tori Kelly and Mitchell Tenpenny. Based on the aforementioned tiebreaker, Tenpenny gets first ranking over them based on having strength from three categories. Last week he only had one category, so unfortunately he isn’t going away and only going to rise. He’s then followed by Wallen, who has strength in album sales and streaming. Finally Lane and Kelly, who are solely on the chart thanks to airplay.
  • One more thing: This feature won’t be this long each week, so don’t worry about having to read this wall of text every week. It’ll be more succinct moving forward now that I’ve got all of the rules and methodology of the chart out of the way.

Next Five Artists Knocking on the Door of the Top 25

  1. Zac Brown Band
  2. Jon Pardi
  3. Russell Dickerson
  4. Chris Janson
  5. Garth Brooks

Be sure to weigh in with your thoughts below and feel free to make predictions for next week’s rankings. Feel free to ask questions if you need any clarification on the methodology and rankings.

Album Review – Kenny Chesney’s ‘Songs For The Saints’

I have to be honest. I did not see myself chomping at the bit to discuss new Kenny Chesney music in the year 2018. Take it back two years ago when Chesney released Cosmic Hallelujah, an album I absolutely ripped to shreds for its lazy and uninspiring content. I remember declaring that Chesney would have to make one hell of a turn around to get me to ever take him seriously again. And well here we are, as Chesney delivers one of the most surprising albums I’ve heard this year in Songs For The Saints.

It’s important to know this album is inspired by and revolves around the Virgin Islands and the destruction caused by Hurricane Irma on the islands in 2017. Chesney has a home on one of the islands, Saint John, and felt compelled to give back to a place that’s meant a lot to him. Not only is this album about the islands, but all proceeds for the albums are being donated to relief funds that help rebuild the islands. It’s an incredibly classy and heartfelt move by Chesney and his label. While Chesney’s legacy is defined by beach and island songs at this point, I don’t think I’ve heard this much passion and drive from Chesney in his music in years. His beach music is usually on the casual/party side, but this is the most mature take he’s ever done on this sub-genre of country music.

The album’s opening and title track is a direct ode to the islands. The saints in this song refer to each island, as they were each named after a saint. It’s the perfect opener, as it establishes what this album is all about and that’s the people of the islands, who clearly mean a lot to Chesney. “Every Heart” is a soft and sentimental song about the general struggle everyone shares in life. It’s a little sweet, but a nice message. I really enjoy the little touches in instrumentation in this song, particularly the bouzouki and organ. The lead single of the album, “Get Along”, is my least favorite track of the album. While I can appreciate the message of peace and happiness, I still don’t like the “buy a boat” line in the song. It’s just so consumeristic, although it doesn’t sound as bad I guess in the context of the rest of the album and can be interpreted as more of a throwaway line rather than some subliminal message.

Chesney has recorded several pirate-themed songs over the years, but “Pirate Song” is his best take on the theme yet. I particularly enjoy the details Chesney goes into as he fantasizes the life of a pirate sailing the open seas. By setting the scene well, you as the listener can really picture the life being painted in the song. This is what makes atmospheric songs work. Chesney collaborates with Ziggy Marley on the reggae-influenced “Love for Love City.” Love City is the nickname for St. John, Chesney’s home in the islands. Chesney and Marley sing of the people coming together in good times and need, highlighting the tight-knit nature of the communities on the islands no matter the situation. It’s a peaceful and easy-going song that makes you feel good in many ways.

I thought Carrie Underwood and Ludacris would be the most unlikely collaboration of the year, but Kenny Chesney and Lord Huron top it. Chesney covers the indie rock group’s “Ends of the Earth” and it’s one of my favorite tracks on the album. The song is about the endless thirst for adventure and exploring the unknown. The soaring, spacey production of the song is immediately infectious and memorable. This has my vote for a future single. “Gulf Moon” is another standout on Songs For The Saints. The John Baumann-penned song gives you a look inside a little town along the gulf coast and the lives of the people who inhabit it. The storytelling in this song is absolutely great, as the little details of the surroundings and the people put you right there in the town with them. It’s great to see Chesney give an artist like Baumann a spot on this album and for Chesney it’s a legacy-type song.

“Island Rain” is about the relief and therapeutic attribute of an island rain. It goes on to relate it to general relief from an uncomfortable situation in everyday life. It’s yet another song on this album that does such a great job of relating to the everyday person. This track is a breath of fresh air to a person having a rough day. The touches of steel drum and organ throughout add even more to this peaceful nature. Beach country’s most recognizable face Jimmy Buffett joins Chesney on a cover of Buffett’s “Trying to Reason With Hurricane Season.” The song is about the stress and anxieties of anticipating the impending hurricane season, a regular preparation for those who live in the islands and coasts. While they tire of this yearly happening, they continue to live and deal with hurricane season. It’s another good cover pick from Chesney, as it fits the theme of the album well.

The sing-a-long “We’re All Here” is about finding escapism from the troubles of everyday life, something Chesney has perfected many times in songs and does so again here. These are the kinds of simple songs that may not offer much variety, but it’s a comforting familiarity to many. The album’s closing track “Better Boat” is perhaps one of the best songs Chesney has ever recorded. Written by Travis Meadows and Liz Rose, the song is about getting better at coping with the everyday struggles and stress of life. This is likened to learning how to build a better boat, which is such an apt and fitting metaphor. Chesney is joined on the song by a wonderful vocalist in Mindy Smith, who adds another layer with her harmonies with Chesney. There’s so much heart and truth in the lyrics that you would be hard-pressed to find someone who doesn’t connect with this song. It’s a small reminder of what country music is all about.

Songs For The Saints will go down as one of Kenny Chesney’s best albums at the end of his career. On this album he casts away the lazy tropes and paper-thin depth that has plagued his career at times and delivers an album full of songs about love, happiness and finding peace after destruction. This album’s biggest strength is its songwriting, as it’s rooted in a place of reality of real people and places, highlighting the ups and downs of life. The production of this album is pretty good too, as it’s varied and does a wonderful job of weaving reggae, island and pop influences throughout. Kenny Chesney should be quite proud of this album, as he delivers a real gem in Songs For The Saints.

Grade: 8/10

Album’s Top Highlights: Better Boat, Gulf Moon, Ends of the Earth, Island Rain, Love for Love City, Trying to Reason With Hurricane Season


Producers: Kenny Chesney & Buddy Cannon

Songwriters: Kenny Chesney, Tom Douglas, Scooter Carusoe, Shane McAnally, Josh Osborne, Ross Copperman, Jon Randall, Ben Schneider, John Baumann, Mac McAnally, Jimmy Buffett, Casey Beathard, David Lee Murphy, Travis Meadows, Liz Rose